With many of our content deals originating in Hollywood, it only makes sense for us to expand our operation. These facilities not only give our staff a base of operations, but also provide us with close proximity to several of our content technology partners as well.”
“With 4K Studios’ recent technological advancements
""I'm confident we'll soon experience a major surge in 4K TV sales as NanoTech takes aggressive preemptive steps to offer end users with a vast 4K content library this early in the game," said Aaron Taylor, NanoTech's Executive Vice President of Sales & Marketing. "Our 4K film scanners are running around the clock, breathing new life into vast 35mm content libraries. The result will be a broad and deep catalog of enhanced 4K content complementing the native 4K titles currently available."
, we are no longer limited to just creating new 4K content to meet this growing demand,” Foley noted. “Content owners such as broadcasters and movie studios have vast libraries of content that can be economically converted to pristine 4K and offered to consumers while providing added ROI from their library. [/b]The premium versions (with embedded ads) can also be quickly turned into very high-quality 4K VOD content that can be used to generate incremental revenue.”
CHA CHING CHA CHING win win !!!!!$$$$$$
To ensure that the content is clean, crisp and noise free, 4K Studios’ Ultra HD Scanners take a 35mm film (or even 16mm) and make multiple digitization of each frame of the film at different light levels in red, green and blue, creating an HDR 4K image for every frame of the film. At the same time, the audio track image from the film is scanned and put into a synchronized audio file.
During the scanning process, the film is run through the Kodak Digital ICE™ film processing procedure to repair any defects or scratches in the film. The output from this procedure is saved into an uncompressed file and then run through 4K’s proprietary process which compensates for the frame-by-frame deltas in textures, colors and lighting. Once the automated scan is completed, the next step is for the 4K Studios’ editors to view the video scene by scene ad apply gamma and lighting corrections. Any remaining scratches or defects are then repaired by hand. Finally, the master files are compressed using multiple codecs and a variety of proprietary methods and settings resulting in final files that are ready for streaming delivery.
Using these processes, 4K Studios has even been able to make dramatic improvements to films mastered in 4K by other studios.
NanoTech Entertainment has already secured the services of local representation in Los Angeles, and has recently added staff based out of the new Hollywood office, dedicated to interfacing with the studios and content aggregators located in the greater Hollywood area.
“With 4K Studios’ recent technological advancements
""I'm confident we'll soon experience a major surge in 4K TV sales as NanoTech takes aggressive preemptive steps to offer end users with a vast 4K content library this early in the game," said Aaron Taylor, NanoTech's Executive Vice President of Sales & Marketing. "Our 4K film scanners are running around the clock, breathing new life into vast 35mm content libraries. The result will be a broad and deep catalog of enhanced 4K content complementing the native 4K titles currently available."
, we are no longer limited to just creating new 4K content to meet this growing demand,” Foley noted. “Content owners such as broadcasters and movie studios have vast libraries of content that can be economically converted to pristine 4K and offered to consumers while providing added ROI from their library. [/b]The premium versions (with embedded ads) can also be quickly turned into very high-quality 4K VOD content that can be used to generate incremental revenue.”
CHA CHING CHA CHING win win !!!!!$$$$$$
To ensure that the content is clean, crisp and noise free, 4K Studios’ Ultra HD Scanners take a 35mm film (or even 16mm) and make multiple digitization of each frame of the film at different light levels in red, green and blue, creating an HDR 4K image for every frame of the film. At the same time, the audio track image from the film is scanned and put into a synchronized audio file.
During the scanning process, the film is run through the Kodak Digital ICE™ film processing procedure to repair any defects or scratches in the film. The output from this procedure is saved into an uncompressed file and then run through 4K’s proprietary process which compensates for the frame-by-frame deltas in textures, colors and lighting. Once the automated scan is completed, the next step is for the 4K Studios’ editors to view the video scene by scene ad apply gamma and lighting corrections. Any remaining scratches or defects are then repaired by hand. Finally, the master files are compressed using multiple codecs and a variety of proprietary methods and settings resulting in final files that are ready for streaming delivery.
Using these processes, 4K Studios has even been able to make dramatic improvements to films mastered in 4K by other studios.
NanoTech Entertainment has already secured the services of local representation in Los Angeles, and has recently added staff based out of the new Hollywood office, dedicated to interfacing with the studios and content aggregators located in the greater Hollywood area.
