A rare educated note from the I$ub board from a fellar named Greenman...
A note from a long for those willing to listen:
I'm holding a nice chunk of NTEK shares, through nothing like the amount of shares some posters here have, and certainly not with money that would put me on food stamps if NTEK didn't pan out. I'm holding because while content is key, I know that it took years from the time HD technology existed and the time when a good amount of HD content was available for the masses. Through my DD I learned that 4K studios is running 24/7 creating 4K masters from existing studio films. That is not news to many DD-meisters here. But this may be (or at least the implications may not be stressed enough):
1. Any title that a studio provides to NTEK to create a 4K master is, upon completion, added to UltraFlix. That is huge because:
2. There is a ton of films in the queue waiting to be mastered to 4K.
3. Thus through the work of NTEK's 4K studios, new content is being added almost weekly to UltraFlix (and remember again that 4K is running 24/7 with tons of films yet to be mastered).
4. if you go just to the UltraFlix website, you will only be able to see a very limited amount of content that is available to stream on UltraFlix. To see all the available content you need to actually have access to a 4K TV and an NP-1 (or similar device), or a new smart Samsung TV. Then you can see all the available content, as well as keep track of new material being added to UltraFlix on a regular basis.
5. The above information is available to anyone who does a little footwork. What is not so easy to access is which studios and their films NTEK has contracted to remaster and subsequently add to UltraFlix. But as I said earlier, it took a good while for the transition to HD content, and while we are just on the ground floor of UHD, I think that NTEK is moving pretty quickly.
Unlike some folks here (especially naysayers), I am not demanding a by-Christmas milestone. Christmas is no magical deadline for what is an exploding business that just beginning to emerge, as a countless number of articles have noted. NTEK is a company on the ground floor of a shift in content viewing. That might go on for a bit long longer than this coming Christmas.
By the way, I've only mentioned two related divisions of NTEK. I think that the gaming division has amazing possibilities and I'm waiting to see what will happen there.
Having said all the above, I urge all faithful longs to ceaselessly contact NTEK and urge them to find viable funding options for their big projects and M&As instead of diluting shares. That to me is their biggest shortcoming and the biggest reason we languish in SP. If dilution had not robbed us of appreciation commensurate with company accomplishments (far greater than most of the penny stocks out there), the naysayers would not have much of a leg to stand on.
A note from a long for those willing to listen:
I'm holding a nice chunk of NTEK shares, through nothing like the amount of shares some posters here have, and certainly not with money that would put me on food stamps if NTEK didn't pan out. I'm holding because while content is key, I know that it took years from the time HD technology existed and the time when a good amount of HD content was available for the masses. Through my DD I learned that 4K studios is running 24/7 creating 4K masters from existing studio films. That is not news to many DD-meisters here. But this may be (or at least the implications may not be stressed enough):
1. Any title that a studio provides to NTEK to create a 4K master is, upon completion, added to UltraFlix. That is huge because:
2. There is a ton of films in the queue waiting to be mastered to 4K.
3. Thus through the work of NTEK's 4K studios, new content is being added almost weekly to UltraFlix (and remember again that 4K is running 24/7 with tons of films yet to be mastered).
4. if you go just to the UltraFlix website, you will only be able to see a very limited amount of content that is available to stream on UltraFlix. To see all the available content you need to actually have access to a 4K TV and an NP-1 (or similar device), or a new smart Samsung TV. Then you can see all the available content, as well as keep track of new material being added to UltraFlix on a regular basis.
5. The above information is available to anyone who does a little footwork. What is not so easy to access is which studios and their films NTEK has contracted to remaster and subsequently add to UltraFlix. But as I said earlier, it took a good while for the transition to HD content, and while we are just on the ground floor of UHD, I think that NTEK is moving pretty quickly.
Unlike some folks here (especially naysayers), I am not demanding a by-Christmas milestone. Christmas is no magical deadline for what is an exploding business that just beginning to emerge, as a countless number of articles have noted. NTEK is a company on the ground floor of a shift in content viewing. That might go on for a bit long longer than this coming Christmas.
By the way, I've only mentioned two related divisions of NTEK. I think that the gaming division has amazing possibilities and I'm waiting to see what will happen there.
Having said all the above, I urge all faithful longs to ceaselessly contact NTEK and urge them to find viable funding options for their big projects and M&As instead of diluting shares. That to me is their biggest shortcoming and the biggest reason we languish in SP. If dilution had not robbed us of appreciation commensurate with company accomplishments (far greater than most of the penny stocks out there), the naysayers would not have much of a leg to stand on.
