What does TMMI have that everybody wants?
Everybody is streaming something these days and it gets more crowded everyday. Bandwidth demand has been escalating at an exponential rate primarily due to streaming media outlets like Google’s YouTube, Apple, Netflix, and Amazon Prime being joined by content distribution giants like Comcast and Verizon in the US and Shaw in Canada. Sports programmers, media networks and production stalwarts like News Corp, Disney and CBS intersecting with streaming media specialists such as Vimeo, Dyle and Hulu.
Convergence 2.0 Worlds collide at the point of a pixel. Regardless of where they got their start - as gadget companies, software monopolists, broadcasters, film-makers, telephone utilities, merchandisers or cartoonists - these giants are all pouring more content through overloaded pipes. They are struggling to accommodate the content provider, program producers, advertisers and most important, impatient consumers, who believe that they can see the difference in quality.
"Better pictures that take up less bandwidth capacity". That is the holy grail of streaming media and HDTV.
In that case, TMMI rebirth couldn't have been timed better. As screen size, bandwidth and consumer expectations of quality scale up at a rate far in excess of any forecasts, new developments occur daily to show that potential opportunity continues to explode. Competition among camera manufacturers such as Panasonic, ARRI, RED, Sony and Canon has intensified as film has been abandoned by even the most ardent supporters.
With increasing frequency, there's talk of 2K moving up to 4K and even 8K. Big UHD screens are cropping up everywhere.
With more computer processing power, bigger HDTV screens, and transmission technology improving every day, only software wasn't keeping up with all the new hardware.
Where was the high resolution content?
Viewers have high expectations and will remain loyal only as long as they can get the quality picture they want at a price they are willing to pay.
TMMI's development team has made significant strides updating its proprietary TRUDEF™ codec to make fractal video compression a near-term, viable commercial reality. TMMI has shown "uprezzed" motion picture clips to potential strategic partners in private demonstrations going from 720 to 2K to 4K and beyond.
One of TRUDEF™'s remarkable advantages is that its fractal algorithm makes digital video scale up the resolution of motion pictures to a higher resolution without making the file size bigger. TRUDEF™ keeps the larger HD picture quality intact as it gets bigger - without adding additional unwanted artifacts - keeping the digital file size.
Since TRUDEF™ depends on advanced mathematics rather than code efficiencies, bigger is now demonstrably better. As computers become more powerful, TRUDEF™ users will be the beneficiaries. TMMI TRUDEF moves onward and upward Worldwide!!.
Everybody is streaming something these days and it gets more crowded everyday. Bandwidth demand has been escalating at an exponential rate primarily due to streaming media outlets like Google’s YouTube, Apple, Netflix, and Amazon Prime being joined by content distribution giants like Comcast and Verizon in the US and Shaw in Canada. Sports programmers, media networks and production stalwarts like News Corp, Disney and CBS intersecting with streaming media specialists such as Vimeo, Dyle and Hulu.
Convergence 2.0 Worlds collide at the point of a pixel. Regardless of where they got their start - as gadget companies, software monopolists, broadcasters, film-makers, telephone utilities, merchandisers or cartoonists - these giants are all pouring more content through overloaded pipes. They are struggling to accommodate the content provider, program producers, advertisers and most important, impatient consumers, who believe that they can see the difference in quality.
"Better pictures that take up less bandwidth capacity". That is the holy grail of streaming media and HDTV.
In that case, TMMI rebirth couldn't have been timed better. As screen size, bandwidth and consumer expectations of quality scale up at a rate far in excess of any forecasts, new developments occur daily to show that potential opportunity continues to explode. Competition among camera manufacturers such as Panasonic, ARRI, RED, Sony and Canon has intensified as film has been abandoned by even the most ardent supporters.
With increasing frequency, there's talk of 2K moving up to 4K and even 8K. Big UHD screens are cropping up everywhere.
With more computer processing power, bigger HDTV screens, and transmission technology improving every day, only software wasn't keeping up with all the new hardware.
Where was the high resolution content?
Viewers have high expectations and will remain loyal only as long as they can get the quality picture they want at a price they are willing to pay.
TMMI's development team has made significant strides updating its proprietary TRUDEF™ codec to make fractal video compression a near-term, viable commercial reality. TMMI has shown "uprezzed" motion picture clips to potential strategic partners in private demonstrations going from 720 to 2K to 4K and beyond.
One of TRUDEF™'s remarkable advantages is that its fractal algorithm makes digital video scale up the resolution of motion pictures to a higher resolution without making the file size bigger. TRUDEF™ keeps the larger HD picture quality intact as it gets bigger - without adding additional unwanted artifacts - keeping the digital file size.
Since TRUDEF™ depends on advanced mathematics rather than code efficiencies, bigger is now demonstrably better. As computers become more powerful, TRUDEF™ users will be the beneficiaries. TMMI TRUDEF moves onward and upward Worldwide!!.
