The ASPCA Pays Price For Bad-Faith Ringling Brothers

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The ASPCA Pays Price For Bad-Faith Ringling Brothers Elephant Suit

The ASPCA sued Ringling Brothers, but ended up paying the circus $9.3 million to help cover its legal bills. Paul Alexander reports.

Who hasn’t seen the television commercials for animal groups? With heart-touching music playing behind a montage of sad-looking dogs and cats, an announcer pleads for contributions to “save” the animals. No organization runs more of these highly effective ads than the American Society for the Prevention of Cruelty to Animals. Many contributors agree to donate $18 a month, helping the ASPCA to bring in $111.3 million for the year ending June 2010.

Elephant Walk Circus

Ringling Bros. and Barnum & Bailey Circus's elephants and their handlers march from railcars to the Wells Fargo Center in Philadelphia, Tuesday, Feb. 15, 2011. (Matt Rourke/AP)

As 2012 came to an end, however, what the ASPCA did not advertise was the fact that, on December 26, $9.3 million in contributions did not go to “save” animals but to Feld Entertainment, the family-controlled company that since 1967 has owned Ringling Brothers and Barnum & Bailey Circus, which has been in continuous operation since 1919. In settling its lawsuit against “The Greatest Show on Earth,” the ASPCA was admonished by the judge hearing the case that it should have never been filed in the first place, primarily because the group used a paid plaintiff.

To be sure, there’s big money in animal welfare advocacy. During the same period the ASPCA raked in its haul, the Humane Society of the United States  brought in even more: $131.2 million.  Smaller groups also raised notable amounts: $5.8 million for the Fund for Animals; $2.8 million for the Animal Welfare Institute, and 1.5 million for the Animal Protection Institute.

While these organizations — all tax-exempt 501(c)3s — can vary in size, their goal is the same, says Frankie Trull, a science activist and lobbyist involved in university-based animal research: “These groups believe that animals are not ours to be used to eat or wear — or for entertainment.”

Specifically, the groups believe that when a handler employs chains and a bullhook—a long cane, made of wood or fiberglass, with a sharp, curved metal end—to control an elephant, a pain-free method of guiding elephants that has been in use for decades (think guiding a dog with a leash), he is abusing the animal. But the groups needed an individual with standing to bring suit. That was Tom Rider, a former employee who worked for Ringling Brothers from June 1997 until November 1999, first as a “barn helper” and then as a “barn man,” in the Blue Unit traveling show. (A second traveling show is the Red Unit.) In essence an assistant to an elephant handler, Rider gave food and water to seven Asian elephants—Karen, Nicole, Lutzi, Zina, Mysore, Susan, and Jewell—as well as cleaning up after them.

The original lawsuit was filed on July 11, 2000 by the Performing Animal Welfare Society (PAWS) on behalf of the ASPCA, AWI, FFA, Tom Rider, and three other individuals. In December, PAWS and the three individuals dropped out, leaving Rider, ASPCA, FFA, and AWI. Using the Endangered Species Act, the complaint alleged that Ringling Brothers “takes” its Asian elephants — “take” is a general term for “harming,” “harassing,” or “wounding” — by employing chains and bullhooks on them, which in turn caused Rider to suffer “aesthetic or emotional injury” because he witnessed this behavior after developing a “strong personal attachment” to the elephants. The groups demanded that Ringling Brothers stop “taking” Asian elephants, a protected endangered species; forfeit possession of the elephants it owns (54 at present); and pay the groups’ legal fees.

“If there are no animal models, there will be far fewer medical advances. That’s why Ringling Brothers’ pushback has been so significant.”

In 2005, the Humane Society became involved in the suit when it acquired the assets of the Fund for Animals; the Animal Protection Institute joined the next year. After almost a decade of legal action—motions, appeals, hearing upon hearing, discovery—a non-jury trial took place before United States District Judge Emmet G. Sullivan in the District of Columbia in February and March of 2009.

In the trial, Tom Rider, the star witness for the plaintiffs, proved to be problematic. Even though he referred to the elephants as his “girls” and claimed to have a “personal” and “emotional” attachment to them on par with the one he had for his two daughters and his grandson, he was unable to identify the elephants in videotaped footage.

Moreover, Rider’s own employment record indicated he was not upset by the way elephants are handed in a circus. Before Ringling Brothers, he worked for Clyde Beatty-Cole Brothers Circus, where he used chains and a bullhook in handling elephants. During his two-and-a-half years at Ringling Brothers, he never complained about elephant mistreatment to the media, circus veterinarians, United States Department of Agriculture inspectors, or his supervisor. When Rider did leave Ringling Brothers, it was not because of the elephants but because the Blue Unit’s traveling show ended. Then he traveled to Europe where he handled elephants owned by Richard Chipperfield that were performing in a circus, again using chains and a bullhook.

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